Detail of an undulating, crooked facade

3XN’s Olympic House undulates with a parametrically designed glass curtain wall

Positioned adjacent to Lake Geneva and the Parc Louis Borget, the Olympic House is located on the outskirts of Lausanne, Switzerland. Opened in June 2019, the objective of the building’s scheme was to bring the International Olympic Committee‘s hundreds of employees, spread across the city, under one roof. The project—which began as a competition in 2012—was led

A pleated glass facade of the tower formerly known as Solar Carve

Studio Gang’s Solar Carve tower meets the sun with sculpted glass

The most recent addition to an already impressive collection of architectural characters inhabiting New York City’s High Line, 40 Tenth Avenue offers a sculpted massing that will maximize its solar exposure along the public park. The project, led by Studio Gang, is situated between the Hudson River and the High Line, with a primary west-facing orientation. To

Congress Square splits past and present with fiberglass-reinforced plastic

Architectural preservation is often cast as a zero-sum game; historic structures are either painstakingly maintained or demolished in favor of contemporary development. Arrowstreet’s Congress Square, a 530,000-square-foot project in Boston’s Financial District, provides an alternative solution for this quandary with the restoration and consolidation of an entire block of historic structures that integrates a contemporary glass addition with a fiberglass-reinforced plastic (FRP)

SHoP’s Midtown supertall brings terra-cotta and bronze to new heights

Over the last two decades, SHoP Architects has pushed the envelope of facade design, leading a notable shift from predominantly glass-clad skyscrapers to supertalls incorporating a variety of materials. SHoP’s 111 57th Street is currently rising on Manhattan’s Billionaires’ Row—a stretch of dizzyingly luxurious towers. The tower stands out with a facade that incorporates three materials: terra-cotta, glass, and bronze ornamental

University of Oregon’s Tykeson Hall announces a campus presence with a terra-cotta and brick facade

Tykeson Hall, currently wrapping up construction, is nestled in the center of the University of Oregon’s Eugene campus. Designed by Portland’s OFFICE 52 Architecture, the intervention consolidates classrooms, academic advisors, counseling, and tutoring for nearly 23,000 students under one roof. The 64,000-square-foot academic building carefully inserts itself into the campus with a variegated terra-cotta and brick facade with moments of glass curtain

Brooklyn waterfront office building features brick and glass curtain facades

The Brooklyn waterfront is no stranger to development. Over the past two decades, swaths of post-industrial Williamsburg filled with warehouses and factories have been cleared in favor of glass-and-steel residential properties. One building, 25 Kent, an under-construction half-million-square-foot office tower designed by Hollwich Kushner as Design Architect and Gensler as Design Development Architect bucks the area’s cliches with its bifurcated

This Colombian conference center uses a glazed skin to stay cool

Convention centers owe their flexibility to their large, open floor plans. However, cladding and design often relegate these spaces into artificially illuminated and difficult to navigate venues for users. Estudio Herreros and Consorcio Bermudez Arquitectos’s Ágora-Bogotá, located in Colombia’s capital, responds to this stylistic quagmire with a multifaceted glass facade consisting of ten different treatments and electronically-controlled gills. Facade

Mecanoo’s Delft city hall and train station reflects the past with ornamental glass panels

Constructed in the center of the canal-ringed Dutch city of Delft, Mecanoo Architecten’s new City Hall and Train Station conveys an up-to-date take on the city’s overarching morphology and history with an expressive glass facade and articulated massing. Delft is located approximately 10 miles from the Port of Rotterdam, one of the world’s busiest, historically embedding the city

Renovation of Seattle's Space Needle

Facades+ Seattle will trace the rise of Pacific Northwest design

Over the last three decades, Seattle has experienced explosive population and economic growth, that has fundamentally reshaped the city’s architectural makeup as well as its AEC community’s relationship to national and international trends. On December 7, Facades+ Seattle will bring together local practitioners in an in-depth conversation around recent projects and innovative facade materials and design. Consider architecture and design

Colored concrete and perforated fins keep this downtown school cool

Completed in November 2017, the Perkins Eastman–designed School of Nursing and Science Building occupies a former parking lot in downtown Camden, establishing a new institutional heart for Rutgers University in the slowly reviving city. The design inhabits a formidable full-block mass, reaching a height of four stories with a multidimensional facade of high-performance concrete and glass curtainwall shaded by perforated panels. Facade Manufacturer Kawneer,

The Longchamp Racecourse goes for the gold with a metallic facade

In 2011, Dominique Perrault Architecture (DPA) was chosen by France Galop, the governing body of horse racing in France, to redesign and modernize Paris’s venerable Longchamp Racecourse. Located in the city’s second largest park, Bois de Boulogne, the design of the 160,000-square-foot project seeks to connect to the surrounding landscape—the racecourse’s most prestigious events occur during the fall—with a

The Shui Cultural Center connects to traditional life through copper and concrete

Opened to the public in December 2017, West-Line Studio’s Shui Cultural Center is an imposing complex located in a valley within China’s rugged Sandu Shui Autonomous County. The complex, consisting of three single-gabled halls and a monumental tower, is a formidable display of timber-pressed concrete covered in pitched copper plates. Facade Manufacturer Changsha Di Kai Construction Engineering Co., Chongqing Zhongbo

A French museum creates romance with a flowing glass tile facade

With an extensive archaeological collection spanning from the 7th century BC through the Middle Ages, the Musée de la Romanité, located in Nîmes, France (opening summer 2018), presents artifacts from the “romanization” of local society both before and after the city’s Roman occupation. The project, which has evolved into one of the largest contemporary architectural projects in France, is

Behnisch Architekten’s Dorotheen Quartier is a playful contemporary take on German vernacular form

In 2017, Behnisch Architekten completed its approximately 410,000 square-foot development of the Dorotheen Quartier in the Karlstrasse area. Located in Stuttgart, capital of the German state Baden-Wurttemberg, the Karlstrasse area was a long dormant neighborhood located on the eastern border of the city center. Facade Manufacturer Roschmann GmbH / Lauster Steinbau GmbH Architects Behnisch Architekten

BIG’s Shenzhen International Energy Mansion looks better than the renderings

Long after the golden era of corporate modernist skyscrapers (think Mies van der Rohe’s Seagram Building, SOM’s Lever House, and so on), many contemporary office skyscrapers are still designed with traditional glass curtain walls that have low insulation and cause overheating from unnecessary direct sunlight. Bjarke Ingels Group (BIG) conjured an otherworldly alternative for Shenzhen International Energy Mansion: a

Jaklitsch/Gardner’s Three-Part Ode to Tokyo

Marc Jacobs flagship store features a tripartite facade of aluminum, tile, and glass. Commissioned to design Marc Jacobs‘ flagship Tokyo store, Jaklitsch/Gardner Architects‘ first order of business was to rectify the desire for an iconic urban presence with strict local regulations. To make the 2,800-square-meter shop more visible from nearby Omotesando Street, the architects took

Facade Alterations by Bruner/Cott Turn Steam Plant Inside Out

Renovation transforms decommissioned McKim Mead & White building into campus event space. When Amherst College decided to convert a former steam plant into a student event space, the choice likely struck some observers as odd. Designed in 1925 by McKim, Mead & White, the coal-burning plant was decommissioned in the 1960s; since the 1980s, it