Under present circumstances, the act of gathering through conferences and summits is a hazy memory. And while many pine for a return to those carefree days untroubled by the airborne transmission of particulates, perhaps the present freeze will allow for a moment of introspection on the role of conference and program centers within urban assemblages.
Facadism, the act of retaining a historic facade whilst fundamentally adapting a structure’s interior, is often maligned by preservationists as relegating historic architecture to urban set pieces. Lost in such orthodox pedagogy is recognition of the functional demands of the client and the pragmatic reality that buildings evolve over time. Kliment Halsband Architects (KHA), a New
College dormitories are sometimes drab affairs, utilitarian in their design and timid in their expression. But Deborah Berke Partners’s (DBP) Dickinson College High Street Residence, completed in September 2018, uses a limestone masonry and paneled-zinc facade to create a bright and confident presence on campus. Facade Manufacturer Rheinzink Knight Wall Rolling Rock Building Stone Duratherm ArchitectsDeborah Berke Partners
The new home for Ballet Memphis, designed by Archimania, reveals itself in layers. It is an upgrade from their previous facility which the company had outgrown and was located outside of an urban context. The new Ballet Memphis building is designed to engage the public through movement, culture, and connection to the community. It houses rehearsal space
Zinc and glass unite riverfront pavilion and pump house. In 2009, just as construction on its Principal Riverwalk pavilion was about to begin—and following years of funding-related stops and starts—Des Moines-based Substance Architecture received some unexpected news. The firm was commissioned to design a second building, a pump house, on an abutting plaza. At that
Composite facade brings new row house into harmony with its historic neighbors. Florian Köhler, whose firm, Köhler Architekten, recently designed and built a new row house in Hamburg’s Ottensen quarter, observes a disheartening trend among his fellow architects. When designing for a site rich in historic context, they tend to shy away from all allusions