side view of the front of the building

PBDW Architects’ bulbous East Harlem Cooke School sails toward the future of learning

Facade ManufacturerErie Architectural Products Centria Boston Valley Terra Cotta ArchitectsPBDW Architects Structural EngineerSeverud Associates Facade Consultant Heitmann General Contractor McGowan Builders Date of Completion2020 SystemsTerra-cotta Rainscreen and window wall with metal paneling Products Bendheim channeling Unusual among the sardined building fabric of Manhattan, PBDW Architects’ freestanding Cooke School & Institute takes full advantage of the

exterior photograph of a contemporary New York luxury residential building with large bay windows

The bulbous bay windows of the Lantern House illuminate NYC’s High Line

New York City’s High Line is no stranger to development. Since first opening in 2009, the elevated railway–turned–public park has spurred a building frenzy on Manhattan’s Far West Side, much of it architecturally meager. Straddling the High Line today—several years after its third and final stretch was inaugurated—are gleaming glass stalactites, anonymous in their bearing

light gray trespa panels of folding slatted facade

Archi-Tectonics wraps a SoHo addition to an urban townhouse with new climate skin

While flashy residential additions are nothing new to the New York neighborhood of SoHo, the 3D “climate skin” wrapping Archi-Tectonics’ 8-story townhouse at 512 Greenwich Street introduces a fresh face to the cast iron-dominated historic district. The firm added a 4-story addition to an existing building and united the single-family home with a deep black and

image from the building from the bottom up

Adjaye Associates’ 130 Williams re-enchants the Lower Manhattan skyline

More than a century ago, urban reformers warning of the perils of congestion and unregulated development pointed to Lower Manhattan as Exhibit A. That the great monuments of the era—notably, the Woolworth Building—appeared to stand aloof from this cacophony even as they contributed to it only hardened calls for change. Later developments attest to the consequences: Skyscrapers,

a corner shot showing the two story poured concrete arches at the mechanical, or "skyview", level and the north herringbone concrete wall

180 East 88th highlights craftsmanship with a waterfall of hand-laid Kolumba brick

New York’s Upper East Side neighborhood is home to an eclectic range of scale and style largely thanks to its early history; a few blocks from the marble and limestone chateaus sprinkling Park Avenue are the brick and stone Neo-Federal and Georgian townhomes from the late 19th century. As nesting ground for some of the most expensive housing in Manhattan,

The Fitzroy harkens back to Old New York with art deco-inspired terra-cotta blocks

A stroll through New York neighborhoods subject to feverish developments, from Downtown Brooklyn to Central Park South, reveals a design trend that has taken root and proliferated citywide: A seismic shift from unobstructed glass curtain walls to facades of ever-greater opacity. The trend is being driven by myriad forces, namely rising performance standards and shifting aesthetic tastes,

Restoration of the Empire State Building’s Art Deco crown nears completion

New York City’s skyline is forever adapting, thrusting ever higher upwards as a jostling amalgam of evolving styles and forms. Although surpassed in height by more recent projects such as SHoP Architect’s 111 57th Street and KPF’s One Vanderbilt, Shreve, Lamb & Harmon’s Empire State Building remains the city’s penultimate skyscraper and icon from the art deco era. The mooring mast,

Q&A: Robert Heintges on taking risks and the value of a curtain wall

Robert Heintges is an influential architect and teacher who has advanced envelope design through his eponymous practice, Heintges & Associates, and through his teaching at Columbia GSAPP and Rice Architecture. This interview is part of my effort to document how different forms of specialized design expertise inform multiple architecture practices at once, and produce unstable forms of architectural authorship.

Kliment Halsband Architects blends past and present at Friends Seminary

Facadism, the act of retaining a historic facade whilst fundamentally adapting a structure’s interior, is often maligned by preservationists as relegating historic architecture to urban set pieces. Lost in such orthodox pedagogy is recognition of the functional demands of the client and the pragmatic reality that buildings evolve over time. Kliment Halsband Architects (KHA), a New

Take a look behind the construction of the tallest modular hotel in the U.S.

Modular construction is gaining steam in New York City, with the technique being utilized for new projects ranging from affordable housing to academic facilities. In September 2018, modular technology reached a new height with the tallest modular hotel in the United States, the 21-story citizenM New York Bowery located in Manhattan. For the modular units, Concrete Architectural Associates,

Nike’s new House of Innovation brings an undulating glass facade to Fifth Avenue

On the corner of Manhattan’s Fifth Avenue and 52nd Street, the Nike House of Innovation announces its presence on this stretch of largely historic masonry structures with a striking slumped-and-carved glass facade. The 68,000-square-foot recladding and interior design project replaces the avenue elevation of the concrete-and-glass Pahlavi Foundation Building (formerly owned by the Shah of Iran and recently seized by the Federal

Historic Tribeca warehouse meets its match

Brought to you with support from <a href=”https://adserver.adtechus.com/adlink/3.0/5463.1/3973131/0/4/ADTECH;loc=300;key=key1+key2+key3+key4″ target=”_blank”><img src=”https://adserver.adtechus.com/adserv/3.0/5463.1/3973131/0/4/ADTECH;loc=300;key=key1+key2+key3+key4″ border=”0″ width=”234″ height=”60″></a> This new 33-unit condominium in New York’s historic Tribeca neighborhood is composed of two buildings, a restored and converted 1905 coffee and tea warehouse on Washington Street and a matching addition on Greenwich Street. The new building produces a “double negative” effect,

Tree-like diagrid columns connect two greenspaces in Manhattan’s Upper West Side

Unbroken bands of window walls sit beyond an exterior concrete structural frame. Completed earlier this year, a new market rate rental building on Manhattan’s Upper West Side by Handel Architects features a striking exposed cast-in-place concrete diagrid “exoskeleton” structure. The system is designed in response to required zoning code setbacks that restrict building area to a