Though it’s been open for less than a year, One Hundred, a 36-story residential tower in St. Louis’s Central West End neighborhood, carries itself like a city landmark. Designed by celebrated Chicago architecture firm Studio Gang, the building peacocks along Kings-highway Boulevard, its tiered, faceted profile evoking a giant crystalline headdress. ManufacturerLorin Industries Architect Facade ConsultantStudio NYL Structural EngineerMagnusson

Should New York’s Landmarks Preservation Commission (LPC) support a proposal that continues a 40-year-old design approach by an esteemed architect, even though it’s not what environmentally-sensitive architects would propose today? That was the question was raised during the June 2 LPC hearing, as panel members discussed whether to approve a new south-facing glass wall for

John Cetra co-founded CetraRuddy in 1987 on the principle that architecture should engage the urban fabric while enriching the human spirit. With a passion for innovative, inspiring designs and a commitment to real world solutions, Mr. Cetra has led the firm to international recognition. Through his practice, John has experienced the interrelationship of architecture, urban

The Permasteelisa Group engineers, designs and manufactures architectural envelopes for signature landmark buildings throughout the world, applying constant innovation in the fields of quality, safety and environment through the use of advanced technologies.

On Jane Street between Manhattan’s West 4th Street and Greenwich Avenue, a handsome, textured Venetian-red brick building sits unassumingly. On its left, it abuts a brick building painted pale-yellow, home to an architectural hardware firm and metal foundry. On its right, it’s separated from a faded red brick Greek Revival townhouse by means of a

As our production of data continues to explode, it’s only natural that that output found its way into architectural design. A new patterned facade at the Rosalie Sharp Pavilion used mapping data to convey a complex web of Toronto’s public artwork, artistic communities, and density of living and working artists for the Ontario College of

Designed by Zoltan E. Pali, FAIA, and his Los Angeles-based firm SPF:a, WE3 is a six-story creative workspace in the commercially robust area of Playa Vista, California, colloquially referred to as “Silicon Beach.” It is the third and final building in a pre-existing commercial campus, Water’s Edge, that boasts 160,000 square feet horizontally expressed along

On January 1, 2021, the Daniel Patrick Moynihan Train Hall opened to the public. Designed by Skidmore, Owings & Merrill, this renovation and expansion of the original Pennslyvania Station were urgently needed to accommodate the busiest transportation hub in the Western Hemisphere. The monumental civic project connects the architectural past through adaptive reuse of the

Leading up to this week’s Facades+ West Conference on Thursday and Friday, AN caught up with its two co-chairs, Blair Payson and Alan Maskin, principals at Olson Kundig in Seattle. In preparation for the at-length discussions on these topics, Payson and Maskin shared some insights of theirs regarding kinetic design, historic architecture, and some interesting upcoming projects. AN: As a leading firm in the kinetic

The Billie Jean King Library is an impressive civic monument located in Downtown Long Beach, California, just a few blocks from the mouth of the Los Angeles River and the bustling Port of Long Beach and joins the rapidly growing nationwide trend towards mass timber construction. Designed by SOM’s Los Angeles office, the pagoda-like structure in many ways harkens back

Resembling both a cartoonishly large paperweight and a monumental mirror, cube berlin doesn’t look the part of a typical office building. The new 62,300-square-foot building forcefully anchors Washingtonplatz, a stone’s throw from Berlin’s central train station, and dazzles passersby with its fully glazed, double-skin facade, all while coyly concealing its true function. “For many people

The Portland Building, located in the downtown of its eponymous city, is hard to ignore. Designed by Michael Graves Architecture (MGA) and completed in 1982, the tower is something of a monument to the Postmodern architectural movement and served as a stepping stone for Grave’s larger body of work across the country. The project’s facade

Facadism, the act of retaining a historic facade whilst fundamentally adapting a structure’s interior, is often maligned by preservationists as relegating historic architecture to urban set pieces. Lost in such orthodox pedagogy is recognition of the functional demands of the client and the pragmatic reality that buildings evolve over time. Kliment Halsband Architects (KHA), a New

The form of the Lucas Museum of Narrative Art is suggestive and shape-shifting, not unlike the popular media to which the nascent institution is dedicated. Under construction since 2018, the curvilinear 290,000-square-foot museum is beginning to animate the entire western edge of Los Angeles’s Exposition Park, a 160-acre park opposite the University of Southern California. The project, which

As the nation’s capital, Washington, D.C., is home to a thriving architectural culture, grounded in both historic and contemporary design. The upcoming Facades+ AM conference on February 20 will provide a forum for the city’s design community to dive into the intricacies of some of the region’s most significant architectural projects. The conference is co-chaired by Hickok Cole, a local

On January 31, The Architect’s Newspaper’s Facades+ conference series is returning to San Francisco. The conference co-chair is EHDD, a Bay Area firm with particular expertise in sustainable design. The morning is split into three panels discussing the resilient design features of 181 Fremont and The Exchange; the complex facade assemblies of Mira Tower and 950 Market Street; and

Midtown East is a competitive Manhattan neighborhood to design a new tower; the skyline is crowded with an assembly of jostling skyscrapers and landmarks constructed over the last century. Completed in 2019, The Centrale is an 803-foot-tall residential tower designed by Pelli Clarke Pelli Architects and developed by Ceruzzi Properties. The building strikes a middle ground between the

The neo-Georgian Tammany Hall located on the northeastern corner of Union Square has assumed multiple identities over the course of its nearly century-long existence: It has been the home of the notoriously corrupt Society of St. Tammany, a union headquarters, and a theater and film school. Now, BKSK Architects and BuroHappold Engineering are leading the conversion of the building into a

Breaking ground later this year, 212 Stuart Street is located on the northern edge of Boston’s Bay Village Historic District between two very different contexts: a midrise commercial corridor and the 19th-century enclave of brick rowhouses. Architecture firm Höweler + Yoon was challenged with bridging these distinctive neighborhoods via a 20-story residential building that is

Tribeca is consistently ranked as one of the most expensive neighborhoods in New York City, so it perhaps comes as no surprise that non-landmarked lots throughout the area are being snatched up and redeveloped for commercial or residential purposes. 30 Warren Street, which is currently wrapping up construction, is located on a northeastern corner of Church

Over the last two decades, Brooklyn’s DUMBO neighborhood has undergone a significant degree of development, including the restoration of historic warehouses that dominated the neighborhood for centuries and plenty of new construction. ODA, which has a number of projects across the borough, recently completed the restoration and partial recladding of a decrepit 19th-century refinery and warehouse with a

Opened last spring on the periphery of the University of Toronto’s St. George Campus, the Daniels Building is an approximately 700,000-square-foot academic building for the Daniels Faculty of Architecture, Landscape, and Design. The project entails a new three-story addition added onto a 19th Gothic Revival former theological school, clad in grey concrete panels and a glass curtain

Commonwealth Avenue, snaking from the Boston Public Garden through the greater metropolitan area, is no stranger to significant cultural venues and institutional buildings. Boston University’s Joan & Edgar Booth Theatre and College of Fine Arts Production Center, by local firm Elkus Manfredi Architects, joins this assemblage with an angled glass curtainwall shrouded in a scrim of ultra-high-performance concrete (UHPC) and

1100 Architect’s East Side Lofts is located in the Osthafen, or East Harbor district, of Frankfurt, Germany. Heavily damaged during World War II, the district is composed of historical vestiges and contemporary infill. The East Side Lofts effectively combines the two with a restoration of the landmarked Lencoryt Building and a six-story addition clad in fiber-cement boards.