folding marble facade of capital one hall

HGA’s marble panels fold into the future of mixed-use development

Architect HGA Facade FabricatorNational Enclosure Company Campolonghi Stone Facade InstallerR. Bratti Associates Facade ConsultantArup Structural EngineerThornton Tomasetti Wheaton Sprague General ContractorWhiting-Turner LocationTysons, Virginia DateFall 2021 SystemMarble with custom steel truss and clip system ProductsItalian Carrara marble Custom unitized aluminum framing system by NEC and Wheaton Sprague Nordic Royal brass cladding manufactured by Arubis Conspicuously clad

Mo Wright

Mo has worked in the precast industry for nearly 20 years in a wide variety of positions including precast sales and marketing, estimating and project management. He has also been involved in several design-assist collaborations on large public and private projects. As marketing director, he is responsible for corporate communications as well as an education

image from the building from the bottom up

Adjaye Associates’ 130 Williams re-enchants the Lower Manhattan skyline

More than a century ago, urban reformers warning of the perils of congestion and unregulated development pointed to Lower Manhattan as Exhibit A. That the great monuments of the era—notably, the Woolworth Building—appeared to stand aloof from this cacophony even as they contributed to it only hardened calls for change. Later developments attest to the consequences: Skyscrapers,

The national aquarium in baltimore, with a jutting triangular glass topper

Baltimore’s National Aquarium will make its iconic glass pyramid bird safe

In keeping with its conservation mission, the National Aquarium in Baltimore has announced plans to make all of the glass in its buildings “bird safe.” The institution is planning to replace all 684 panes in the glass pyramid that covers its Upland Tropical Rain Forest exhibit after several panes shattered, indicating the existing glass is reaching the end of its expected

Rendering of the Metropolitan Museum of Art window wall

With Eamon Roche in agreement, LPC approves new glass wall for New York’s Metropolitan Museum of Art

Should New York’s Landmarks Preservation Commission (LPC) support a proposal that continues a 40-year-old design approach by an esteemed architect, even though it’s not what environmentally-sensitive architects would propose today? That was the question was raised during the June 2 LPC hearing, as panel members discussed whether to approve a new south-facing glass wall for

rendering of the L shaped building exterior highlighting the Arizona sun's intense glare

Studio Ma harnesses new climate technologies for ASU’s Downtown Center

In its design of the 284,000 square-foot, 16-story Downtown Phoenix Residence Hall and Entrepreneurial Center for Arizona State University (ASU), Studio Ma demonstrated how new advancements in materials and technologies can be employed to build structures that will better withstand the unique conditions of desert climates. The downtown complex, comprised of an L-shaped residential tower

Dartmouth’s 1960s-era Anonymous Hall makes a name for itself with 2030 overhaul

As demonstrated by the growing list of firms joining the AIA’s 2030 Commitment, energy performance is rapidly becoming an increasingly pressing and integrated part of architectural design. The standards set by the 2030 goal emphasize how retrofitting an existing building’s energy performance is just as critical to achieving net-zero energy for a project as it

The Buddy Holly Hall complex strums a new chord in Lubbock, Texas

  As a teenager emerging from the Great Depression, Buddy Holly strummed his guitar in Lubbock, Texas to dreams of becoming a pioneering figure in American rock n’ roll thinking, “that’ll be the day.” Decades later, his short music career, traced by its influences from gospel and blues, definitively enshrined Buddy as an icon not

Meet Andrew Lawrence, keynote at AN’s TimberCon 2021

As AN counts down to our bi-annual timber conference, today we can share a glimpse into the life and work of our second-day keynote speaker, Andrew Lawrence. TimberCon will be held virtually on March 18th and 19th with speakers from both coasts of the US and Canada who will shed light on their latest projects, best practices for assembly, and forecast

The sculptural white mesh of Perkins & Will’s Gardner Neuroscience Institute stands out in a sea of brick

In an age where healthcare design is rapidly embracing new technologies and research to maximize patient care and comfort, the University of Cincinnati’s Gardner Neuroscience Institute stands out with its attention to detail for the specialized needs of the patients and healthcare workers who use the space. The outpatient facility, chosen as AN’s 2019 Best

The Fitzroy harkens back to Old New York with art deco-inspired terra-cotta blocks

A stroll through New York neighborhoods subject to feverish developments, from Downtown Brooklyn to Central Park South, reveals a design trend that has taken root and proliferated citywide: A seismic shift from unobstructed glass curtain walls to facades of ever-greater opacity. The trend is being driven by myriad forces, namely rising performance standards and shifting aesthetic tastes,

AEC leaders discuss how they are pivoting through COVID-19 realities

The Architect’s Newspaper asked leaders in the AEC industry to discuss how COVID-19 has disrupted projects and the processes the industry was forced to alter or halt in response to state mandates. Below, they describe what course correction looked like and how new practices might be retained in the post-pandemic future. Shawn Basler Nicholas Leahy Andrew

The Harvard Business School’s Schwartz Pavilion opens with steel canopies and operable doors

Tucked beneath a stately London planetree in Harvard Business School’s new quadrangle in the Allston area of Boston is a 4,168-square-foot contemporary structure that brings a laid-back, informal sensibility to the famously buttoned-up, McKim, Mead & White–designed campus. Outfitted with a gas-powered fire feature, a bar, and Adirondack chairs aplenty, the Schwartz Pavilion functions as a breakout space for large

Happel Cornelisse Verhoeven decks an Antwerp fire station in classically arranged bright red glazed brick

Fire stations are by their very nature pragmatic structures; multi-axle gargantuan trucks must be able to draw in and out of the facility with ease, and crews of firemen require what is essentially a multipurpose home during their shifts. This utilitarian bent, at-least from the midcentury onward, manifests itself in boxy and often architecturally laconic

A new class of U.S. towers celebrate structural lines while pushing technological boundaries

When 875 North Michigan Avenue, formerly the John Hancock Center, opened on Chicago’s Magnificent Mile in 1969, it signaled a departure from the all-too-prevalent trabeated Miesian skyscraper. Its subtly tapered 100-story form and iconic X-frame structure, designed and engineered by Skidmore, Owings & Merrill’s Bruce Graham and Fazlur Khan, respectively, demonstrated that beauty and structural performance need