New York’s Upper East Side neighborhood is home to an eclectic range of scale and style largely thanks to its early history; a few blocks from the marble and limestone chateaus sprinkling Park Avenue are the brick and stone Neo-Federal and Georgian townhomes from the late 19th century. As nesting ground for some of the most expensive housing in Manhattan,

New York may be the city that never sleeps, but developers seem to be holding that expression to truth as the city continues to grow through a tough year. New developments can be seen in many boroughs, from Manhattan to Brooklyn, especially as taller residential buildings and swaths of reimagined neighborhoods, like Hudson Yards or

Designed by Zoltan E. Pali, FAIA, and his Los Angeles-based firm SPF:a, WE3 is a six-story creative workspace in the commercially robust area of Playa Vista, California, colloquially referred to as “Silicon Beach.” It is the third and final building in a pre-existing commercial campus, Water’s Edge, that boasts 160,000 square feet horizontally expressed along

Ask any architect or engineer—timber is growing (no pun intended) on everyone. The Architect’s Newspaper is excited to present TimberCon 2021, hosted in partnership with Toronto’s Mass Timber Institute to foreground exemplary projects, identify best practices for assembly, and spotlight emerging technologies within the field. A two-day event packed with leading innovators and experts, TimberCon

New York based firm Archi-Tectonics has master-planned an eco-village in the heart of the bustling skyscraper district of Hangzhou, China, for the upcoming 2022 Asian Games. Integrated within the existing city fabric, this eco-village sits on a mile-long landscape of 116 acres with program and park fluidly integrated. Two stadiums, the Hockey Field and Table Tennis

COOKFOX Architects has been busy lately. The New York-based architecture firm has completed or is just wrapping up scores of projects across the city, ranging from twin-towered Ten Grand and One South in Williamsburg to St. John’s Terminal in Tribeca. Central to these projects is a fine-tuned understanding of context and unpretentious design cues that embed the structures within their setting.

Architectural preservation is often a continued struggle between human-made constructs and the inexorable forces of natural phenomena. Nowhere in the United States is this relationship more pronounced than in New Orleans, that polyglottal metropolis at the border of the Mississippi River Delta and the Gulf of Mexico. Located in the Picayune Place neighborhood, Trahan Architects’ under construction 309

Houston is a city of contrasts where, because of a dearth of zoning codes, shimmering high-rises dwarf anonymous strip malls and suburban bungalows abut oil refineries. Sandwiched between the Rice University campus, Hermann Park, and a tangle of highways, the Museum District is no less idiosyncratic, even if it is more high-brow in its aspect. The district itself

As the nation’s capital, Washington, D.C., is chock full of seats of government, monuments, and civic spaces, all the more monumental when placed at the intersection or terminus of the city’s diagrid of triumphal boulevards, or within one of the many historic parks dating back to the 1791 L’Enfant Plan. Located within Mount Vernon Square, the

Manhattan’s Far West Side is no stranger to development. Since the construction of the High Line in 2009, this Hudson River-bordered stretch of New York has undergone a feverish spate of construction, ultimately culminating with the city’s very own Dubai-on-the-Hudson (also known as Hudson Yards). However, just south of that sky-high cluster of glazed stalagmites, projects such

Broadway is a competitive locale for any new tower. The avenue, running from Manhattan’s Bowling Green to the upper reaches of Westchester, is home to some of New York’s most recognizable and adored architectural treasures. The challenge for any firm completing a project in such a setting is to establish a unique identity whilst fitting in with

A veritable spaceship has landed on the outskirts of the Botswanan capital city of Gaborone, its coppery carapace glinting in the unrelenting sun. This is the Botswana Innovation Hub, and while its form evokes the stylings of Battlestar Galactica, it is very much of this world. SHoP Architects was awarded the project in 2010 following an international

Manhattan’s Yorkville neighborhood is something of an idiosyncrasy; it’s avenues are lined with a hodgepodge of towers from the turn of the century onward, and the side streets are a mix of townhouses and walk-up tenements. There is no straightforward design methodology for contextual development here, but Toronto’s KPMB Architects raised the bar with an 83,500-square-foot expansion of

Facadism, the act of retaining a historic facade whilst fundamentally adapting a structure’s interior, is often maligned by preservationists as relegating historic architecture to urban set pieces. Lost in such orthodox pedagogy is recognition of the functional demands of the client and the pragmatic reality that buildings evolve over time. Kliment Halsband Architects (KHA), a New

One Vanderbilt, designed by Kohn Pedersen Fox (KPF), is not a subtle project; the tower topped out in September 2019 and rises from an entire city block with a behemoth massing to a height of just over 1,400 feet. The tower is visible across the metropolitan region, from the New Jersey Meadows to the Bronx-Queens

Opened in December 2018, the American Water Headquarters is the most recent significant addition to Camden, New Jersey’s, Delaware River waterfront and sits directly across from Philadelphia’s Center City. Designed by New York’s Robert A.M. Stern Architects (RAMSA), the corporate project articulates the former industrial character of the Rust Belt with an aluminum composite facade

Set to open in mid-March, 2050 M Street is a novel commercial project located in the Dupont Circle neighborhood of Washington, D.C. REX, an architecture and design firm based in New York, is the design architect for the project. In contrast to the imposing massing of Beaux-Arts, Brutalist, and droll mid-century Miesian bootlegs that dominate the capital,

Over the last four decades, James Carpenter Design Associates (JCDA) has been a pioneer in advanced glass installations and facade design, with projects ranging from the Museum at the St. Louis’ Gateway Arch to the Fulton Center Sky Reflector Net. The new Nordstrom flagship store in New York is located at the podium of the Adrian Smith + Gordon

The waterfront surrounding Brooklyn’s former Domino Sugar Refinery continues to rise at a dizzying pace and, similar to DUMBO to the south, this spate of growth is led by Two Trees Development—ongoing projects include PAU’s reinvention of the Domino Sugar Refinery and the recently announced BIG-designed towers. Unlike other sections of the Williamsburg waterfront which are dominated by swaths glass

The Barn, designed by New York–based landscape architecture practice !melk, is a parametrically-designed wooden canopy with a restaurant and beer hall that opened in 2017. Located in the city of West Sacramento, the 9,100-square-foot project is the lynchpin of the larger 178-acre Bridge District, a mixed-use project with a planned population of 9,000 residents developed by Fulcrum Property. Facade

On September 21, Facades+ is coming to Chicago for the first time since 2015. At the conference, speakers from leading architecture, engineering, and facade consultant firms will discuss their bodies of work and lead in-depth workshops. Workshops will cover modular facade design, the challenges and triumphs of large-scale work in Chicago, and how to control the quality, quantity, and

In July 2018, Collective-LOK (CLOK) unveiled their Roche/Dinkeloo Double, a temporary installation located below a cantilevered section of UMass Amherst’s Fine Arts Center. CLOK is a collaboration formed by architects Jon Lott, William O’Brien Jr., and Michael Kubo. The Fine Arts Center, designed by firm Roche-Dinkeloo in 1975, is located on the border of UMass Amherst’s campus. According to architect Jon Lott, the

On April 19, for the afternoon keynote of The Architect’s Newspaper’s Facades+conference in New York, architect Ian Ritchie discussed his decades-long involvement in forward-looking glass architecture. Beginning with the tongue-in-cheek statement, “Glass is the answer; what was the question?” the British architect detailed the technological specifications and design considerations behind his projects. Ranging in size from personal residences to convention centers, the projects convey

From biodomes to Disney resorts, “Sheds” and stadiums, ethylene tetrafluoroethylene, better known as ETFE, has become the material of choice for architects designing a venue for the spectacular. Appealing to designers as an affordable, translucent building skin, the material is now the go-to polymer for flamboyant facades. The Architect’s Newspaper (AN) spoke to three firms leading the