In designing the Charles Library at Temple University in North Philadelphia, Snøhetta wanted to make a contemporary statement that would integrate harmoniously into the pedestrian core of a leafy, architecturally diverse urban campus that is still largely defined by historic stone masonry edifices. The resulting building, a research library clad in stone, wood, and glass and topped with one of Philadelphia’s largest

As the decades roll on, public appreciation of post-war office buildings continues to wane, and owners are often stuck with a depreciating asset with poor energy performance to boot. The usual course of action is wholesale demolition and the construction of an entirely new structure on the site. In contrast, a design team consisting of Gensler,

The Heights, located in Arlington, Virginia just across the Potomac from Washington, D.C., is a new academic campus that complements the relatively low-slung and conservative architecture of the context, and offers an compelling approach to public space. Designed by Bjarke Ingels Group (BIG) in collaboration with architect of record LEO A DALY, The Heights consists

Detroit is undergoing something of a revival; the center of the city is registering consistent population growth and with it has come a spate of high-profile building projects including SmithGroup’s Little Caesars Headquarters and SHoP Architects’ Hudson Site tower. Rossetti, a Detroit-based firm with an expertise in sports and entertainment venues and a local and national footprint, has continued this

The Tanzhaus Cultural Center is located on the banks of the Limmat River in the center of Zürich, Switzerland, surrounded by a diverse assemblage of historic and post-war structures of varying scales. An intervention in such a setting has the potential to both improve public lands adjacent to the riverfront and strengthen the overall streetscape, and

Boston’s Seaport District is no stranger to development; the 23-acre site lies east of the Fort Point Channel on the Inner Harbor, and over the last two decades has transformed from a largely barren deindustrialized waterfront to an effective extension of the city’s core. Pier 4, a 400,000-square-foot mixed-use project designed by local firm Elkus Manfredi

Constructed in the heart of Bodø, Norway, a new town hall designed by Atelier Lorentzen Langkilde (ALL) delivers a contemporary interpretation of masonry to weave together an integrated civic center. ALL was awarded the 130,000-square-foot project following an international competition in 2013 and opened the renewed town hall in 2019. The result is a compelling gesture of shifting mass according

AN surveyed some of the leading practices in timber structure and facade engineering about the most innovative projects they worked on over the past year. Their responses highlight advanced applications of timber, ranging from a hybrid tower underway in Canada to greenhouse domes popping up in China. Paul Fast  Founding Partner, Fast + Epp Perhaps the most groundbreaking

The Pacific Northwest is home to a thriving architecture and design community that is shaping the industry across the country. The upcoming Facades+ AM conference July 21 will highlight notable projects within the state and region; ranging from a diverse spate of recently completed expansions to the University of Oregon campus to the ongoing proliferation of mass timber on

The Pavilion at Great Northern Way, a florid timber, steel, and glass structure designed by Perkins and Will and fabricated by Canadian timber specialist Spearhead, anchors a new public plaza in the Mount Pleasant neighborhood of Vancouver, British Columbia. The 2,000-square-foot space, which was completed in 2019 and will be home to a coffee shop, abuts the Perkins and Will–designed

With an extensive private collection of contemporary art ranging from the large-scale sculptural work of Michael Heizer to the oil-on-canvas abstracts of Mark Rothko, the new Glenstone Museum addition—opened in Fall 2018 and located in suburban Potomac, Maryland, just 15 miles from the city center of Washington, D.C.—is a testament to the role of placemaking as a

Opened in December 2018, the American Water Headquarters is the most recent significant addition to Camden, New Jersey’s, Delaware River waterfront and sits directly across from Philadelphia’s Center City. Designed by New York’s Robert A.M. Stern Architects (RAMSA), the corporate project articulates the former industrial character of the Rust Belt with an aluminum composite facade

Located just south of San Francisco’s Financial District and blocks away from the bay, MIRA Tower is a housing development that grabs your attention with a highly detailed geometric form. The project joins a spate of recently completed and under construction towers in the Transbay Development Zone, including Pelli Clarke Pelli Architects’ Salesforce Tower and the Heller Manus Architects’ 181

As the nation’s capital, Washington, D.C., is home to a thriving architectural culture, grounded in both historic and contemporary design. The upcoming Facades+ AM conference on February 20 will provide a forum for the city’s design community to dive into the intricacies of some of the region’s most significant architectural projects. The conference is co-chaired by Hickok Cole, a local

On January 31, The Architect’s Newspaper’s Facades+ conference series is returning to San Francisco. The conference co-chair is EHDD, a Bay Area firm with particular expertise in sustainable design. The morning is split into three panels discussing the resilient design features of 181 Fremont and The Exchange; the complex facade assemblies of Mira Tower and 950 Market Street; and

The Cleveland Museum of Art, constructed of white Georgian marble in 1913, is a remarkable demonstration of Neoclassicism in America and serves as the lynchpin of surrounding Wade Park. Servicing the museum and the surrounding grounds requires extensive upkeep, and over the years a haphazard assembly of buildings was erected to service those needs.  These have been

Midtown East is a competitive Manhattan neighborhood to design a new tower; the skyline is crowded with an assembly of jostling skyscrapers and landmarks constructed over the last century. Completed in 2019, The Centrale is an 803-foot-tall residential tower designed by Pelli Clarke Pelli Architects and developed by Ceruzzi Properties. The building strikes a middle ground between the

The waterfront surrounding Brooklyn’s former Domino Sugar Refinery continues to rise at a dizzying pace and, similar to DUMBO to the south, this spate of growth is led by Two Trees Development—ongoing projects include PAU’s reinvention of the Domino Sugar Refinery and the recently announced BIG-designed towers. Unlike other sections of the Williamsburg waterfront which are dominated by swaths glass

On December 6, The Architect’s Newspaper is returning to Seattle for the third year in a row in a dialogue of the architectural trends, technologies, and materials reshaping the Seattle metropolitan area. Bohlin Cywinski Jackson, a national firm with a significant presence in Seattle, is co-chairing the conference. Panels for the morning symposium will discuss the complex geometries of the

The Safdie Architects–designed Jewel Changi Airport is a 144,000-square-foot toroidal-shaped glass-and-steel pavilion looping around the world’s tallest indoor waterfall. After four years of construction, the $1.3 billion project opened its doors in April 2019 as a bid to deliver a “paradise garden” amid the cacophony of Singapore’s largest airport. The structural system of the canopy is based on a highly complex

The Architect’s Newspaper’s Facades+ conference, a series on innovative building envelopes, will touch down again in Los Angeles from November 14 to November 15. The first half of the conference is a full-day symposium, which will feature a morning keynote from MVRDV partner Fokke Moerel and an afternoon keynote from Rojkind Arquitectos founder Michel Rojkind. Each keynote

New York’s leading art galleries are in a figurative arms race; buildings upwards and outwards to accommodate museum-sized curatorial ambitions. In September, the Pace Gallery, led by Marc and Arne Glimcher, joined the fray with the opening of its new 75,000-square-foot gallery in West Chelsea. The project, designed by Bonetti/Kozerksi Architecture with facade consultancy by Studio NYL, is

The Citizens Bank Corporate Campus in Johnston, Rhode Island, is not a subtle complex—it’s composed of five sprawling buildings across a 123-acre site. Designed by Boston-based architectural practice Elkus Manfredi, the project serves as a new facility to accommodate approximately 3,000 financial services employees and all five buildings are predominantly clad with ultra-high-performance concrete and low-E glass laid over zig-zagging forms.

From November 14 to 15, Facades+ LA will bring regional, national, and international leaders of the AEC industry to Southern California for the fifth year in a row. Hosted by The Architect’s Newspaper and co-chaired by Gensler’s local office, the conference is split between a full-day symposium and a second day of hands-on workshops. Conference keynotes include MVRDV principal Fokke Moerel and Rojkind Arquitectos principal Michel Rojkind. Other participants at